Look Ahead: December and More [Jason monologuing]

What’s coming in December 2024 and early 2025. Plus, an invitation to listeners: share your thoughts, tell us what you think of the Superman teaser trailer.

Playtime (1967) with Louise Sandhaus

Jacques Tati’s Playtime, aka PlayTime, leaves an impression, and it definitely impressed designer, educator, and writer Louise Sandhaus who has a lot to say about this movie that’s kind of about nothing, with the city and scenery as the star, and people merely moving through, around, and within the environment. Be mesmerized by its set pieces, odd circumstances, physical humor, and bombastic party scene that has Marx Brothers antics with Saturday Night Live stumbles and silliness. Watching Playtime, if you get the impression that it influenced Wes Anderson, or shaped the Apple TV show Severance, you’re spot on. Louise is the founder and co-director of The People’s Graphic Design Archive, a pioneering crowd-sourced platform that preserves graphic design history and is extremely inclusive. As faculty at California Institute of the Arts (CalArts), she teaches The History of Motion Graphics with modules on Designer as Filmmaker and Type in Film, as well as Early Abstract Animation. 

Drive (2011) with Ian Tingen

With a PhD from the University of California Irvine, behavioral designer Ian Tingen has a range of capabilities: strategic planning, market research, management change, qualitative research, unconscious bias awareness training, behavioral science, and legal analysis, among others. As one of his clients said, “...when you need to make the impossible possible, work with Ian.” When it comes to movies, he’s a big fan of 2011’s Drive starring Ryan Gosling, Carey Mulligan, Albert Brooks, Bryan Cranston, Oscar Isaac, Christina Hendricks, and Ron Perlman. A stuntman (Gosling), who’s a getaway driver in his free time, becomes close with his neighbors, then gets twisted up in a robbery that goes wrong. Although it has some slow moments, and we see characters contemplating events and plotting their next moves, from start to finish Drive puts the pedal to the metal.

The Sandlot (1993) with Caroline Fox

What’s the best baseball movie ever? For Koto creative director Caroline Fox, there’s only one answer to that question: 1993’s The Sandlot. It tells the story of Scotty Smalls, a fifth-grader in a new town, making new friends, and learning about baseball. Co-starring Karen Allen, Denis Leary, and James Earl Jones, the movie has lessons about collaboration and overcoming challenges. Caroline talks about her work with Koto, team and client relationships, plus we dive into the fun advertising and graphic design from a bygone era, as featured in The Sandlot.

American Psycho (2000) with Tom Muller

It’s a special episode, just in time for the holidays, with Tom Muller coming back to the show to talk about American Psycho, directed by Mary Harron. Christian Bale plays Patrick Bateman, an unreliable narrator with a psychopathic alter-ego, who lives out violent fantasies that spill from his personal life onto his work life. We also discuss A Clockwork Orange, Taxi Driver, Fight Club, and Joker. Designer Tom Muller’s radical and visionary re-design for Marvel’s X-Men identity, a new visual language that included wordmarks and typography, helped launch 2019’s groundbreaking HOUSE OF X and POWERS OF X. He’s also designed for entertainment giants DC and Disney, tech pioneers like Google and Gearbox Software, as well as Wired magazine, Skydance New Media, and Wizards of the Coast.

Princess Mononoke (1997) with Keaton Haines

DayCloud Studios, the creative branding and web design agency, has had team members Liz Hunt and Chelsea Poppens on the show this season, and based on Liz’s recommendation, Keaton Haines had to be on too. “Keaton is our all-around creative guru, he heard about what you were doing and he LOVES talking movies.” Keaton immediately knew the movie to discuss, “Princess Mononoke… it’s a lifelong favorite that I think I could talk about at length.” The 1997 Studio Ghibli animated epic has adventure, mystery, and body horror, some call it one of Hayao Miyazaki’s most action-packed movies. Listen in to learn about Studio Ghibli, as well as Keaton’s upbringing in Utah, movies that reference Utah, and what it’s called when your voice morphs into Demi Moore’s.

The Lord of the Rings Trilogy (2001-2003) with Liz Hunt

What’s the best movie trilogy? For Liz Hunt, there’s only one answer to that question: The Lord of the Rings. The CEO and Chief Creative at DayCloud Studios weighs in on the original books, the 1977 animated film, Peter Jackson, and also Dune (with some Duplass-puppet-Togetherness memories), the Spider-Verse, Superman, and Batman. Plus we attempt to answer the question, “Does Henry Cavill’s wig work in The Witcher?” And just for fun, we touch on board games and why being a Dungeon Master sounds like the best part of fantasy tabletop role-playing games (TTRPG).

Look Ahead: November and More [Jason monologuing]

November marks 25 episodes of Designers On Film, and it’s been a fun ride. Let’s look ahead, learn what's coming soon.

Young Frankenstein (1974) with Mike Wirth

Young Frankenstein brought together so many talented actors and comedians, to create a memorable and re-watchable Gothic horror comedy. Artist and designer Mike Wirth explains how Mary Wollstonecraft Shelley’s Frankenstein and its various adaptations and tributes and parodies connect to and relate to the Jewish golem story. We also touch on not only the classic movies of Mel Brooks, but also Sam Raimi, Airplane 2, and What’s Up, Doc? as well as movies becoming musical theater. Plus, some vaudeville history, and Hitchcock, with Dr. San Guinary’s Creature Feature thrown in for good measure. Listen closely and you’ll hear Mike’s cat, our special guest. This episode is dedicated to Teri Garr. 

Shaun of the Dead (2004) with Jen Hood

Jen Hood, Co-Founder and Design Lead at Hoodzpah http://hoodzpahdesign.com/, provides plenty of reasons to watch and re-watch Edgar Wright’s 2004 horror/comedy classic Shaun of the Dead. Not only is Simon Pegg cute, but he and Nick Frost are also such a dynamic duo that you might find yourself drawing comparisons to Abbott and Costello, or Laurel and Hardy. Appropriate since, like those comedy legends, Pegg and Frost had their own streak with Shaun of the Dead, plus Hot Fuzz and The World’s End. We also get into Wright’s Baby Driver versus Gosling’s Drive, with some talk about hair and highlights, and the problem with two similar movies debuting around the same time, A Bug’s Life and Antz, we’re looking at you. In addition to this episode, and Hoodzpah, where else can you find Jen? Some snazzy fonts https://hoodzpahdesign.com/product-category/fonts/ plus freelance and business courses https://courses.hoodzpahdesign.com/courses/freelance-and-business-and-stuff too. Oh, and you may find her on one of those Viking Cruises too, sooner or later, touring one of Wright’s movie locations. Would it be Shaun of the Dead or Hot Fuzz or The World’s End? Listen in to find out.

Hocus Pocus (1993) with Chelsea Poppens

Chelsea Poppens, Chief Operating Officer at DayCloud Studios, joins the show to talk about the fun, family-friendly Halloween classic, Disney’s Hocus Pocus. We root for sister and brother Dani and Max, with Allison, who battle the Sandersons! But don’t take the movie too seriously, enjoy it for what it is, appreciate the nostalgia, and take in all the nifty practical effects from the glory days before computers became the norm for post-production. In addition to Hocus Pocus, we touch on Hocus Pocus 2, and Chelsea shares stories from not only the design-side of her daily routines, but also talks about how she makes time for herself. As a former WNBA/Pro/ISU athlete, she opens up about being a fish out of water, traveling for games. What’s the best way to travel? By plane, train, automobile, broom, vacuum cleaner, or Swiffer? Choosing might be easier than you think. Also! Be sure to follow Chelsea at her own podcasts, Champion This and the Agency Rocket Show.

Prey (2022) with Diane Faye Zerr

Artist, illustrator, and designer Diane Faye Zerr returns to the show to talk about Prey. Admittedly, she’s never been a Predator fan but when she found out about Prey’s premise, she jumped right in. Yes, this is a “Predator Movie” but Prey is all about Naru, a strong woman fighting multiple battles, dealing with wild animals, and on top of it all, Naru takes down an alien. “She doesn’t have assault rifles, she doesn’t have grenades,” says Diane, moreover, Naru doesn’t have roid-built muscles either. “You don’t want to tailor to just guys bringing their girlfriends along to movies,” says Diane, “you want to bring girls into things too.” We also talk about the forthcoming Predator movie starring Elle Fanning, plus, rights of passage for heroes, sequels as pure money makers, 1979’s Alien, the erstwhile smoking sections in theaters, and the forthcoming Alien TV series. Learn more about Diane’s work at https://fayeandco.etsy.com and https://www.instagram.com/fayeandco.

Saw (2004) with Catalina Olvera

Digital and graphic designer Catalina Olvera has not only seen Saw once, but she’s also gone back to it time and time again, having been fascinated with it since age 8. A big fan of true crime stories, she explains why the first Saw holds up. Sure, designers will appreciate Jigsaw’s crafty “measure twice and cut once” methodology, but it’s the story and set pieces that really leave an impression. In addition to Saw, we also discuss Saw X and Shawnee Smith who portrays Saw’s Amanda, aka Mandy, plus we get into 2024’s Longlegs and 2022’s Smile, as well as Guillermo del Toro. We conclude with a discussion about the movie-watching experience, theaters or streaming and the right time for each, and why trailers should be avoided due to their very spoilery content.

Get Out (2017) with Giovanna Chung

Giovanna Chung of Kindred Spirits Design Co. isn’t necessarily a horror fan, but Get Out struck such a chord that she finds herself thinking about it time and time again, and not just because of Jordan Peele’s considered use of type, color, and graphics. The movie delivers a horrifying and memorable story with seemingly authentic human interactions used for something else, something evil and horrifying. Not only does Giovanna bring a designer’s perspective to her analysis of Get Out, but with a Bachelor of Arts in Cognitive Neuroscience, Minor in Sociology, she’s also able to go beneath the surface. “It’s a really good movie for people who like to study people,” she says. In addition to Get Out and its alternate ending, we discuss Peele’s Us and Nope, the Key & Peele cat comedy Keanu, improv, Ari Aster, and being a “theater kid.” Learn more about Giovanna at https://kindredspiritsdesign.co/ and in AIGA Houston’s Hispanic Heritage Month feature.

The Matrix (1999) with Steven Tapia

Motion designer Steven Tapia shares his fondness for The Matrix, from the fantastic story to the cliffhangers and fight scenes, up to and including its commentary on identity, technology, and humanity. A successful designer who’s worked with clients like James “Latin” Clark on Tony Yayo’s Pass the Patron video featuring 50 Cent, Tapia is also an accomplished teacher with After Effects & Visual Effects Tutorials on YouTube. In addition to The Matrix, we touch on The Acolyte (2024), Bound (1996), the freedoms that come with freelancing, AI and generative art tools like Midjourney, going hard at that thing that you love, and a little bit of Max Headroom.

Joe Dirt (2001) with James Edmondson

Is Joe Dirt the best movie to watch while you crush Mountain Dew and hang out with your pals in a garage? There’s only one answer to that question, according to James Edmondson, who studied at TypeMedia in The Hague, Netherlands. In 2015 James launched his type company Ohno whose specimens do include Joe Dirt references, or breadcrumbs, or crumbs if you will. James has grown Ohno into an awesome company and brought in staff who care as much about type as he does. “Taking something silly very seriously,” matters to James and as Ohno’s Instagram suggests, “Graphic Design should be fun.” Yes, Joe Dirt has plenty of problems, but looking broadly at its humor, music, and story, would this sprawling romp make a fun Broadway Musical? Listen in to discover why, or why not.

Raising Arizona (1987) with Briar Levit

Educator, writer, historian and archivist, and collector Briar Levit (who is a filmmaker too!!) talks about why Raising Arizona is an all-time favorite. Not only is this rompy Coen Brothers movie full of humor, poetic speech, non-sequiturs, fun music, and Looney Tunes cartoon-style mayhem, but it also has a great cast and memorable dialogue. Also hear about Fargo the movie and series, old-timey words, horrifying movies penned by Cormac McCarthy (No Country for Old Men and The Counselor), heads in boxes, big type for titles, and shopping for movies at Goodwill. Finally, learn about Briar’s love of Boardwalk Empire, Blazing Saddles, and Monty Python, among others. Plus? Something for our research-driven listeners. What’s the connection between Raising Arizona and a Serbian biology textbook? Listen to find out.

One Crazy Summer Bonus Memories with Mike Wirth

You want more? YOU GOT IT! Plenty of tangents, arts and crafts, and more swear words than usual make this bonus episode go to eleven (apologies to Nigel Tufnel). Further One Crazy Summer discussion, plus we talk about synthesizers, MIDI, PageMaker, organizing your movies nicely on shelves, 2009’s Up in the Air, packing and moving, murals, paint and emotion, beer can designs, sketchbooks versus laptops, NYC’s Strand Book Store, Bill Murray’s brother Joel, and if you listen closely you’ll hear Jason’s pugs barking in the background every so often.

One Crazy Summer (1986) with Mike Wirth

Savage Steve Holland’s 1986 comedy One Crazy Summer has mostly been overlooked, or forgotten, a shame since it blends genres—and media—into a big sweet, salty, and sometimes spicy milkshake of a movie. Guilty pleasure? Not quite, according to Mike Wirth who wonders, Why couldn’t John Cusack’s Hoops McCann have been Hoops Leibowitz? A Southern, Jewish-American originally from New York, Mike focuses on social justice and identity, fusing complex and personal issues and influences into his art. This autumn, he leads a community mural project with the Charlotte Jewish Federation, commemorating those lost on October 7th. His information design How Our Laws are Made was featured on the Daily Show blog in 2011, and lives on at Wikipedia. Listen in as we discuss whammy animations, world-in-world experiences, Better Off Dead, Grosse Pointe Blank, Singles, Chainsaw Date and Hemorrhoids from Hell, Bobcat Goldthwait, comic book icons Archie and Betty and Veronica, and The Goonies, plus silly sequel and prequel ideas for One Crazy Summer.

Civil War (2024) with Diane Faye Zerr

Is Civil War “just a joy ride with some press” or maybe, perhaps, it’s a movie full of chaos, evil, the horrors of war, and so much substance that it requires a second or third watch to make sense of it? Artist, illustrator, designer Diane Faye Zerr weighs in on the movie and Kirsten Dunst’s character Lee who’s a war photographer, and we talk about the strong roles for women that writer & director Alex Garland has become known for. We also discuss car washes, PTSD, foreshadowing, horror, and bits and pieces of the movies Apocalypse Now, Saving Private Ryan, and Prisoners. Check out Diane’s Etsy shop, and be sure to follow her on Instagram.