Blade Runner (1982) with Kevin Finn

Brand expert, author, internationally recognized designer, and TEDx speaker Kevin Finn joins the show to talk about Blade Runner starring Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah, Brion James, and Joanna Cassidy. Deckard, played by Harrison Ford, is brought back to an elite unit that hunts and retires rogue Replicants, bioengineered beings virtually identical to humans but often used for slave labor. We also discuss the movies Alien and Aliens, as well as Blade Runner 2049 and Barry Lyndon.

Her (2013) with Weber Wong

The 2013 movie Her, written and directed by Spike Jonze, stars Joaquin Phoenix, Amy Adams, Scarlett Johansson, and Rooney Mara. We see Phoenix as Theodore living an isolated life, occasionally recalling his marriage to Catherine played by Mara. The movie explores loneliness, love, and divorce, as well as technology. When Theodore acquires a new, advanced operating system that is able to relate to him and communicate with him, the Samantha artificial intelligence changes his life. Weber Wong joins the show to talk about the 2013 movie, and we also discuss FLORA, a professional creative tool with all the best text, image, and video AI models on one infinite canvas. Weber started building FLORA to help him make his own art projects at NYU’s Interactive Telecommunications Program, a graduate program focused on using technology to make art.

Tron: Ares (2025) with Tim Lapetino

Greetings, Programs! Designer, writer, curator, and historian Tim Lapetino, who’s the Creative Director at Atari, shares insights about Tron: Ares, which tells the story of two tech giants battling for digital dominance. We also talk about video games, the fantastic Nine Inch Nails music, Disney, Star Wars, Marvel comics, Alien, and artificial intelligence.

RE-RELEASE: Tron (1982) with Tim Lapetino

Greetings, Programs! Meet designer, writer, curator, and historian Tim Lapetino, who’s the Creative Director at Atari. Armed with a passion for digital and visual culture, Tim shares insights about 1982’s Tron, its production, sequels, and video games. We also discuss WarGames, classic sci-fi, artificial intelligence, and The Big Lebowski. This episode was originally released for our 1st Season in July 2024 and during this recording, Tim was working on a Visual History of Tron book, in mid-pitch mode.

Groove (2000) with Michael Sinanan

Designing a rave requires planning and patience, it also requires a vision. Get the proper space, the best DJs, and electronic dance music (EDM) that gets people dancing all night and into the early morning, until the last record spins. It’s all captured in the movie Groove (2000) which Michael Sinanan fell in love with after the first viewing, not only because EDM has the beats that keep his design process going, but the movie also inspired him to become a DJ himself. Michael talks about what makes the movie so iconic, and touches on the current club and dance culture, from musical tastes, to ticketing and admission, to people being distracted by their phones.

Die Hard (1988) with handfellas

Omar Diaz and Manny Colon, who work together as handfellas, bring iconic movie moments to life with custom-made puppets, cardboard props, creature designs, and special effects magic. Their puppet-powered parodies include The Matrix, Pulp Fiction, Jaws, and just in time for the holidays, Die Hard. The team brings unapologetic comedy, vintage puppet vibes, and handcrafted absurdity right to your eyeballs, through painstaking craft and an insatiable curiosity.

RE-RELEASE: Die Hard (1988) with Sean McCaul

What’s the best book-to-film adaptation, and could it be Die Hard? Sean McCaul, of Citizen By Design, calls the Bruce Willis action flick his favorite movie. And Sean is in great company, James Cameron has called Die Hard HIS favorite action movie. We also discuss Frank Lloyd Wright, terrorism, Moonlighting and Blind Date, plus 1994’s The Crow. For good measure, we get into Batman and Robin and how the comic book detectives connect to Die Hard with a Vengeance, as well as Se7en. Plus, because villains are fun, we touch on Wicked and Cruella. This episode was originally released for Season 1, in July 2024.

RE-RELEASE: The Princess Bride (1987) with Mónica Malavé

This episode is dedicated to Michele Singer Reiner and Rob Reiner, and was originally released for our 1st Season in February 2025. The Princess Bride, based on William Goldman’s book with a screenplay by William Goldman, is directed by Rob Reiner. “Romance, comedy, suspense, pirates, mystery, and a quest all blended into a single, action-packed movie? Inconceivable!” No, Vizzini, it exists, and it’s The Princess Bride.

Mortal Sin (2025) with Dr. George Ellis

Dr. George Ellis, who in addition to being a urologist, is a producer making films, getting them into festivals where he’s won plenty of awards. We talk about filmmaking as equal parts design thinking and social experimentation, and why as a producer it’s important to have a methodical approach. We discuss his new film Mortal Sin, why theaters matter, and we touch on the Warner Brothers and Netflix deal.

Predator (1987) with Jesse Shoffstall

“It came for the thrill of the hunt. It picked the wrong man to hunt.” Predator (1987) features Arnold Schwarzenegger, Carl Weathers, Bill Duke, Sonny Landham, and was directed by John McTiernan (who also directed Die Hard). One by one, the predator hunts and massacres soldiers, and eventually kills a rescue team led by Schwarzenegger’s Dutch. Today’s guest was so fascinated by the movie that watching it wasn’t enough, he had to bring it into the real world, as a playable table-top game. Jesse Shoffstall is a graphic designer who received his design degree from Winthrop University in Rock Hill, South Carolina. When he’s not doing design work, playing games, or re-watching 1987’s Predator, you’ll find Jesse sitting quietly, listening to death metal through his AirPods.

RE-RELEASE: Prey (2022) with Diane Faye Zerr

What am I thankful for this holiday season? Dan Trachtenberg’s Prey from 2022. Diane Faye Zerr, who has never been a Predator fan, talks about how much she enjoyed 2022’s Prey, savoring every minute of Naru in action, “She doesn’t have assault rifles, she doesn’t have grenades,” says Diane. We also talk about the next movie in the saga, the recently released Predator: Badlands, starring Elle Fanning. Plus, dogs in movies, rights of passage for heroes, sequels as pure money makers, 1979’s Alien, the erstwhile smoking sections in theaters, and Alien: Earth. This episode was recorded in October 2024, released last year for Season 1.

Predator: Badlands (2025) with makeup designer Susie Glass

The 2025 Predator: Badlands movie takes the Predator and Yautja mythology into a new, unforeseen realm. Dek, who’s ridiculed, persecuted, and then banished from his family, winds up on a strange planet where he befriends a synthetic organism played by Elle Fanning, known as Thia. She has a punk look with a new wave, futuristic charm. Thia and Dek team up to battle monsters and the greedy, evil Weyland-Yutani Corporation, with Elle playing a second synthetic organism known as Tessa. Susie Glass, makeup designer on Badlands, talks about the concepts behind the characters, early mornings on set, the importance of teamwork, and why caring for the actors is of the utmost importance.

The Happy Film (2016) with Stefan Sagmeister

In the 2016 documentary The Happy Film, designer Stefan Sagmeister started the film’s creative process with one set of expectations and ultimately became a co-director who took multiple risks, and suffered a tremendous loss. During the filmmaking, co-director Hillman Curtis passed away. Stefan’s movie about happiness not only forces us to look at his life but also our own lives with a fresh perspective, and it teaches us the importance of coping with harsh, tragic, and unforeseen realities.

Wrapping Up 2025

Movies and guests coming soon! Stefan Sagmeister who talks about his documentary The Happy Film (2006), plus plenty of other awesome guests COMING SOON! Visit us on Amazon or Apple or Spotify, and SUBSCRIBE to get our latest episodes!

The Fly (1986) with Daisy Koenig [more thoughts]

In a previous episode, illustrator and graphic designer Daisy Koenig talked about what makes David Cronenberg’s The Fly (1986) so appealing, and explained why the movie is always on a constant rotation in the back of her mind. In this bonus episode, she talks about other Cronenberg movies that have left a mark.

The Fly (1986) with Daisy Koenig

David Cronenberg’s The Fly (1986) stars Jeff Goldblum as Seth Brundle, a brilliant scientist who creates a teleportation process using telepods. Geena Davis, who was Goldblum’s real-life partner during the filming, plays the ambitious journalist Veronica who falls in love with Brundle. Coming in at approximately an hour and 36 minutes, Cronenberg’s remake of the 1958 movie (which was based on a 1957 short story) packs a lot in, getting right to the mad scientist’s lab then plenty of body horror. Brundle, who teleports himself during a drunken pity party, did so with a fly on board. Since the computer doesn’t know what to do with these two separate entities, it fuses them, resulting in Brundlefly, and utter tragedy. Daisy Koenig, a graduate of Winthrop University’s design program, talks about what makes Cronenberg’s The Fly so memorable and why unhappy endings are the best kind.

The Shining (1980) with Chris Cureton

Jack, Wendy, and Danny Torrance stay at The Overlook Hotel, caring for the estate during its off-season period. Jack has been outlining a new writing project and believes that five months of peace is just what’s needed, but all work and no play makes Jack a dull boy. Fortunately, Danny has been mentored by Dick Hallorann, who provides cautionary advice and special instructions such as, “Stay out of Room 237,” guidance that helps Danny stay one step ahead of dangers that lie within The Overlook, helping Danny evade the horrors that his father Jack will unleash. Designer, brand strategist, and writer Chris Cureton talks about what makes Stanley Kubrick’s The Shining a perfect horror movie, and why writing in and of itself can sometimes be a scary endeavor.

Cure (1997) with Zac Lim Eubank

For Zac Lim Eubank, there’s only one movie that delivers exceptional sound design, calculated editing, and non-stop tension, and it’s Kiyoshi Kurosawa’s Cure. Random acts of violence seem to follow a mysterious, wandering man who appears ghost-like but is very grounded in reality.

Weapons (2025) with Catalina Z. Olvera

Catalina Z. Olvera recalls seeing Weapons in a jam-packed theater, and observing the movie’s villain Aunt Gladys for the first time. We also talk about the difference between seeing a horror movie late at night on a small screen in the darkness of your den, or watching it on the big screen with friends and family, as well as strangers, surrounding you. Plus, we reflect on the way design factors into the investigative work Archer does through observations, drawing with a pen and ruler, and ultimately the diagrammatic reveal.

Kandie (2025) with Jasmine Osean Thomas and Kyle Marchiafava

Director and writer Jasmine Osean Thomas and production designer Kyle Marchiafava talk about Kandie (2025), and how various influences come together to make this unsettling horror movie. Notably, Jasmine and her team use visuals to provide backstory, with a variety of graphic, photographic, typographic, and artistic elements revealing a character’s interests and passions, as well as inner demons.