Episodes

Jason Tselentis Jason Tselentis

Mortal Sin (2025) with Dr. George Ellis

Dr. George Ellis, who in addition to being a urologist, is a producer making films, getting them into festivals where he’s won plenty of awards. We talk about filmmaking as equal parts design thinking and social experimentation, and why as a producer it’s important to have a methodical approach. We discuss his new film Mortal Sin, why theaters matter, and we touch on the Warner Brothers and Netflix deal.

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Jason Tselentis Jason Tselentis

Predator (1987) with Jesse Shoffstall

“It came for the thrill of the hunt. It picked the wrong man to hunt.” Predator (1987) features Arnold Schwarzenegger, Carl Weathers, Bill Duke, Sonny Landham, and was directed by John McTiernan (who also directed Die Hard). One by one, the predator hunts and massacres soldiers, and eventually kills a rescue team led by Schwarzenegger’s Dutch. Today’s guest was so fascinated by the movie that watching it wasn’t enough, he had to bring it into the real world, as a playable table-top game. Jesse Shoffstall is a graphic designer who received his design degree from Winthrop University in Rock Hill, South Carolina. When he’s not doing design work, playing games, or re-watching 1987’s Predator, you’ll find Jesse sitting quietly, listening to death metal through his AirPods.

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Jason Tselentis Jason Tselentis

RE-RELEASE: Prey (2022) with Diane Faye Zerr

What am I thankful for this holiday season? Dan Trachtenberg’s Prey from 2022. Diane Faye Zerr, who has never been a Predator fan, talks about how much she enjoyed 2022’s Prey, savoring every minute of Naru in action, “She doesn’t have assault rifles, she doesn’t have grenades,” says Diane. We also talk about the next movie in the saga, the recently released Predator: Badlands, starring Elle Fanning. Plus, dogs in movies, rights of passage for heroes, sequels as pure money makers, 1979’s Alien, the erstwhile smoking sections in theaters, and Alien: Earth. This episode was recorded in October 2024, released last year for Season 1.

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Jason Tselentis Jason Tselentis

Predator: Badlands (2025) with makeup designer Susie Glass

The 2025 Predator: Badlands movie takes the Predator and Yautja mythology into a new, unforeseen realm. Dek, who’s ridiculed, persecuted, and then banished from his family, winds up on a strange planet where he befriends a synthetic organism played by Elle Fanning, known as Thia. She has a punk look with a new wave, futuristic charm. Thia and Dek team up to battle monsters and the greedy, evil Weyland-Yutani Corporation, with Elle playing a second synthetic organism known as Tessa. Susie Glass, makeup designer on Badlands, talks about the concepts behind the characters, early mornings on set, the importance of teamwork, and why caring for the actors is of the utmost importance.

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Jason Tselentis Jason Tselentis

The Happy Film (2016) with Stefan Sagmeister

In the 2016 documentary The Happy Film, designer Stefan Sagmeister started the film’s creative process with one set of expectations and ultimately became a co-director who took multiple risks, and suffered a tremendous loss. During the filmmaking, co-director Hillman Curtis passed away. Stefan’s movie about happiness not only forces us to look at his life but also our own lives with a fresh perspective, and it teaches us the importance of coping with harsh, tragic, and unforeseen realities.

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Jason Tselentis Jason Tselentis

Wrapping Up 2025

Movies and guests coming soon! Stefan Sagmeister who talks about his documentary The Happy Film (2006), plus plenty of other awesome guests COMING SOON! Visit us on Amazon or Apple or Spotify, and SUBSCRIBE to get our latest episodes!

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Jason Tselentis Jason Tselentis

The Fly (1986) with Daisy Koenig

David Cronenberg’s The Fly (1986) stars Jeff Goldblum as Seth Brundle, a brilliant scientist who creates a teleportation process using telepods. Geena Davis, who was Goldblum’s real-life partner during the filming, plays the ambitious journalist Veronica who falls in love with Brundle. Coming in at approximately an hour and 36 minutes, Cronenberg’s remake of the 1958 movie (which was based on a 1957 short story) packs a lot in, getting right to the mad scientist’s lab then plenty of body horror. Brundle, who teleports himself during a drunken pity party, did so with a fly on board. Since the computer doesn’t know what to do with these two separate entities, it fuses them, resulting in Brundlefly, and utter tragedy. Daisy Koenig, a graduate of Winthrop University’s design program, talks about what makes Cronenberg’s The Fly so memorable and why unhappy endings are the best kind.

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Jason Tselentis Jason Tselentis

The Shining (1980) with Chris Cureton

Jack, Wendy, and Danny Torrance stay at The Overlook Hotel, caring for the estate during its off-season period. Jack has been outlining a new writing project and believes that five months of peace is just what’s needed, but all work and no play makes Jack a dull boy. Fortunately, Danny has been mentored by Dick Hallorann, who provides cautionary advice and special instructions such as, “Stay out of Room 237,” guidance that helps Danny stay one step ahead of dangers that lie within The Overlook, helping Danny evade the horrors that his father Jack will unleash. Designer, brand strategist, and writer Chris Cureton talks about what makes Stanley Kubrick’s The Shining a perfect horror movie, and why writing in and of itself can sometimes be a scary endeavor.

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Jason Tselentis Jason Tselentis

Cure (1997) with Zac Lim Eubank

For Zac Lim Eubank, there’s only one movie that delivers exceptional sound design, calculated editing, and non-stop tension, and it’s Kiyoshi Kurosawa’s Cure. Random acts of violence seem to follow a mysterious, wandering man who appears ghost-like but is very grounded in reality.

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Jason Tselentis Jason Tselentis

Weapons (2025) with Catalina Z. Olvera

Catalina Z. Olvera recalls seeing Weapons in a jam-packed theater, and observing the movie’s villain Aunt Gladys for the first time. We also talk about the difference between seeing a horror movie late at night on a small screen in the darkness of your den, or watching it on the big screen with friends and family, as well as strangers, surrounding you. Plus, we reflect on the way design factors into the investigative work Archer does through observations, drawing with a pen and ruler, and ultimately the diagrammatic reveal.

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Kandie (2025) with Jasmine Osean Thomas and Kyle Marchiafava

Director and writer Jasmine Osean Thomas and production designer Kyle Marchiafava talk about Kandie (2025), and how various influences come together to make this unsettling horror movie. Notably, Jasmine and her team use visuals to provide backstory, with a variety of graphic, photographic, typographic, and artistic elements revealing a character’s interests and passions, as well as inner demons.

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Jason Tselentis Jason Tselentis

Horror for October [Jason monologuing]

October is upon us, time for some SCARY MOVIES.

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Jason Tselentis Jason Tselentis

Superman (2025) with Erin Sarofsky and Duarte Elvas

Erin Sarofsky and Duarte Elvas talk about working with James Gunn for the past ten years, and how trust contributed to the title designs that Sarofsky did for Superman (2025). Erin and Duarte also share details about how research, concept development, and typography factored into the end result, and why tactile, hands-on work can stand out, rather than AI-generated photo real images that look and feel too surreal.

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Jason Tselentis Jason Tselentis

The Horse’s Mouth (1958) with Roymieco Carter

Before Sir Alec Guinness was Obi-Wan Kenobi, he adapted Joyce Cary’s book The Horse’s Mouth into the 1958 movie. In addition to writing the screenplay, Guinness starred as Gulley Jimson, an artist who is dedicated but snide, talented but demanding, endearing but dishonest. Jimson charms and delights, and nothing will get in the way of his vision. Even worse, he leaves havoc in his wake. Roymieco Carter, who’s Associate Professor and Director of the Visual Arts Program at North Carolina A&T State University, discovered the movie when he was a student at Virginia Commonwealth University, and it made a big impact. Carter explains why The Horse’s Mouth impacted him at such an early age, and why asking for permission to be an artist or designer isn’t necessary, if you want to be something, be it.

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Back to School this Season [Jason monologuing]

Sure, back to school means shopping for the nifty pens and pencils, dusting off your backpack, packing lunch, and seeing friends again. But the gun violence needs to end. Some organizations and individuals who are taking a stand include Everytown, Mad Dads, Moms Demand Action, Sandy Hook, and Hollywood directors too. Listen to this episode, and see its notes, to learn more about fighting to end gun violence and creating safer schools.

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Snoopy Presents: A Summer Musical (2025) with Erik Wiese

Snoopy Presents: A Summer Musical is a brand new Peanuts story, released on Apple TV+ in 2025. Characters created by Charles M. Schulz that we know and love, Charlie, Snoopy, Woodstock, Sally, Lucy, Peppermint Patty, Marcie, and so many more, sing and dance their way through summer camp with music by Ben Folds. Whether you’re a fan of the Peanuts from way back when, or a first-time viewer, you’ll be entertained by this incredibly moving story, directed by Erik Wiese. He joins the show to discuss how design plays a role in his work, and how Snoopy Presents: A Summer Musical honors Charles Schulz and Schulz’s development as an artist.

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Jason Tselentis Jason Tselentis

The Rocky Horror Picture Show (1975) with Sam Beddoes

Sam Beddoes of FreakZone Games talks about The Rocky Horror Show (1974), the original stage musical that became the movie The Rocky Horror Picture Show (1975). Going in depth, explaining the differences between each production, he also talks about how he made The Rocky Horror Show Video Game. We also discuss Brian De Palma, The Office, Dead Poets Society, Labyrinth, Sweeney Todd, Jennifer’s Body, Robin Hood, Dracula, and The Naked Gun, although not in that exact order!

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